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The End of Desire
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I.
The door is ajar with an amber light inside. There is a white gardenia in my hair and I am waiting for your mouth to spell me out.
Like diamond dust the snow fell that night I held your face in my hands and told you sin isn't rare anymore.
Why I dreamed there was a serpent in my heart coiled in the shape of your initials.
Martyr, do you dream of what if while watching the girls conspire about love on the corner?
You are caught up in symbols Of obscenity.
But Sweetheart, if you were a bird black & swift above the horizon you would know how small the heart of a stranger can be.
II.
Like every hell, extinguishing sin. My mouth pale with devotion, and silent with burning.
What will the angels, blonde and pouting, let us take from this union, unholy as the ecstastic=s dream? It is a dark and unfamiliar thing, this flawed majesty of ecstasy and suffering.
Then, as it always was, the shine of wheat fields in November outside the motel room window, and every morning the bossa nova of the 6:45 train.
III.
Above every storm there is only blue.
Sacred lines of ancient scriptures circle you. You flinch at the altar, Star-gazer, where the Virgin=s lilies are in bloom, spotted red, spread wide with nectar gleaming.
You think of forbidden 4 letter words: Love. Lust. Fuck.
Believe.
Here is faith beneath my breast, and here are the wayward angels moving a flesh & arrow crown around my head.
Later, in the temple, incense, wine and doves in a mesh of chaos, and through the stained glass, exotic orphan, the timber of your voice pressing for truth.
IV.
As a child you grew Rare and wild- One cheek toward the sun, The other shadowed like a moon flower At a lunar eclipse.
Now it is only your voice and the bells of Saint Matthews, and the gospel after midnight. Now it is the coming of Autumn and the slow declension of a dying light.
Now it is only the silence of thee, the prayer of an old man, the tattooed crucifix and the quarter moon hanging like a scythe in the trees.
Now it is only your voice that returns to me.
V.
The city outside shakes down with decaying leaves and the tired horses pushing through Central Park pause, and all the suspects with sharp hidden charms wait for the alleyways to fade and grow dark.
And later, she will prick you With a knife Just to see If you can bleed.
VI.
Leaves of desire cover the windows, color of fire and sky.
And in the dream I awaken at the 247 Motel and twice call out your name. Through the parted curtain the street lamp shines like the prop of a full moon, though it flickers in November wind, imperfect and hallowed.
And this was your dream of ecstasy and thorns, of divinity falling like a star from the North.
When it comes every home turns to leaves and ashes. Dirty reflections and dry offerings. After the end of desire even birdsong becomes an unnatural thing.
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Writer
Bio
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Corrine De Winter is the author of seven books of poetry and prose, including Like Eve, The Half Moon Hotel, and Touching the Wound. Her poetry, fiction, essays, and interviews have appeared in numerous publications, including The New York Quarterly, Imago, Phoebe, Plainsongs, Yankee, Sacred Journey, Interim, The Chrysalis Reader, The Lucid Stone, Fate, Press, Sulphur River Literary Review, Modern Poetry, The Lyric, Atom Mind, and The Writer. She has been the recipient of awards from Triton College of Arts & Sciences and Writer's Digest, as well as The Esme Bradberry Award, The Madeline Sadin Award, and The Rhysling Award. She has been nominated twice for The Pushcart Award. She is a member of The Horror Writer's Association (HWA) and a resident of Western Massachusetts.
CNL20@javanet.com
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Other
Pedestal Published Works
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